My work explores the relationship between pre-Raphaelite tenets and life as a performance. With influences as diverse as Blake and Roy Lichtenstein, new synergies are synthesized from both constructed and discovered layers. As wavering phenomena become frozen through emergent and personal practice, the viewer is left with a testament to the outposts of our future.
Actually - no - none of that drivel. I just like to make things.
The forces that birth a project are simple: some element must be uncharted ground so there is learning, and the final product needs to be aesthetically beautiful in its domain. I typically have 2 or 3 things under development at any given time, as work often comes in waves and having multiple projects helps keep my workload more consistent.
Actually - no - none of that drivel. I just like to make things.
The forces that birth a project are simple: some element must be uncharted ground so there is learning, and the final product needs to be aesthetically beautiful in its domain. I typically have 2 or 3 things under development at any given time, as work often comes in waves and having multiple projects helps keep my workload more consistent.
Credit and Thanks
None of this would be possible without the unwavering support of my wife Sher who always knows where to find me. Additional love goes to Doug Palmer for his incredible talents, and the photographers who make my work look respectable: Carter Dow, Michael Alan Ross, Simone Mancini and the incomparable Jessica Ambats.
None of this would be possible without the unwavering support of my wife Sher who always knows where to find me. Additional love goes to Doug Palmer for his incredible talents, and the photographers who make my work look respectable: Carter Dow, Michael Alan Ross, Simone Mancini and the incomparable Jessica Ambats.